The Oriel Traditional Orchestra is a cross-border, intergenerational community orchestra whose members come primarily from Louth, Meath, Monaghan and Armagh. The OTO concentrates on Irish traditional music repertoire from the Oriel region arranged especially for the orchestra. The orchestra have performed locally in Co. Louth and at festivals in Cork and Cavan, as well as at Fleadh Cheoil na hÉireann in Drogheda. Their repertoire includes music from Meath born harper-composer Turlough O’Carolan, South Armagh fiddle player Josephine Keegan, and Louth composers Adéle Commins and Daithí Kearney.  They also perform music from Brian O’Kane from Ballybay, Co. Monaghan, which he performed with the Siamsa Céilí Band from Dundalk, as well as tunes from local collections.

The OTO performs repertoire from and inspired by the Oriel region with new compositions by members and local composers. To date, the repertoire has included music sourced to the Luke Donnellan collection, which formed part of Pádraigín Ní Uallacháin’s seminal study The Hidden Ulster (2003) and local fiddle player Gerry O’Connor’s MA dissertation at Dundalk Institute of Technology (2006). The music of Monaghan composer Brian O’Kane, recently collected and transcribed by Dr Daithí Kearney at DkIT, is also included, as is the music of South Armagh composer Josephine Keegan, also based on research undertaken at DkIT. The orchestra has also sought to include new compositions by its members and to date this has included a set from composers and directors Daithí Kearney and Adèle Commins from their album and collection A Louth Lilt (2017) and a new set from member Philip McGuinness. As the group develops, it is planned to include some songs from the rich Oriel tradition that has been researched by Pádraigín Ní Uallacháin and some of the region’s harp music, which is currently being researched by MA student Sylvia Crawford at DkIT. The orchestra also includes arrangements of the music of Turlough O’Carolan from Nobber, Co. Meath. The Orchestra are currently working on a new commission, The Oriel March, funded through the Department of Culture, Heritage and the Gaeltacht.

The Oriel Traditional Orchestra aims to:

  • promote and encourage participation in and appreciation of the music of the Oriel region
  • contribute to the musical, artistic and physical life of the oriel region
  • create cross-border, inter-generational  opportunities for musicians in the community to engage in formal music making informed by their sense of place
  • perform, arrange and commission arrangements and compositions of music from the Oriel region
  • promote research into the musical traditions of the Oriel region and bring to life through performance existing research in this area
  • present public performances and recitals of Irish Traditional Music in the community and disseminate awareness of the  musical heritage of Oriel through performances outside of the region
  • provide an opportunity for musicians both junior and senior to perform arrangements of Irish Traditional Music together  in a unique forum in an attempt to preserve the Music and tradition of the region

Part of Baptista Boazio’s 1612 Map of Ireland

We are grateful to the Oireachtas Library for permission to use this map.

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